Matthew Goode is God Damned Glorious

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Matthew Goode’s five favorite roles

CHASING LIBERTY — What’s not to like? It was wonderful shooting in Europe, you gather great friends and have great experiences.

MATCH POINT — It was very intimidating at first, working for Woody Allen and for the first few days I kept saying ‘I’m definitely getting fired.’ But it turned out to be the most relaxed shoot I’ve ever been on.

BRIDESHEAD REVISITED — It can be troublesome if you’re the narrator of the story and you barely speak in the film, but when you work with extraordinary people, you only get better yourself.

WATCHMEN — Wearing a neoprene suit is gosh-darn hot. That’s what I learned. I also learned that the bigger the budget, the more time you spend sitting in your trailer.

A SINGLE MAN — Tom Ford was one of the most prepared directors I ever worked for and Colin Firth is the kind of mate you want to chum around with forever, especially after a few drinks.

Toronto Star

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I’m not posh, not in the slightest. My parents spent some money on my education, but I wasn’t born to the purple. My dad was a geologist and my mum was a nurse who directed amateur theatrics. She was an orphan, was my mum, and she always had it in her head that she was really Laurence Olivier’s love child.
Matthew Goode in the Toronto Star (cheers, interiors-porn!)

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National Post interviews Matthew Goode about Burning Man

Interviewer:
What were your most memorable days on set in Australia?
Matthew Goode:
Oh good god, masturbating over a hooker was one. [Laughs.] There was one point where we had been filming it for a few hours. I remember in the middle of a take, the wonderful voice of our director going: “It’s not that big, mate.” Thanks! Sorry if I was over doing the hand actions.

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